RECITALS
on baroque guitar
on classical guitar
Passo a Passo
Baroque dances from Italy and Spain to the New World
the canarios
Canario (Carlo Calvi) - Canario (A. Kapsberger) - Canarios (G. Sanz)
unfortunate love stories
Los Imposibles, Marizapalos (S. de Murcia)
travels by sea
Una Giga de Corelli, Folias italianas, Fandango (S. de Murcia)
the ciaccona
Capriche de Chaconne (Francesco Corbetta)
Marionas (Francisco Guerau)
the tarantella
Tarantella (Gaspar Sanz), Tarantelas (S. de Murcia)
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Al quarto tuono
Italian suites and sonatas from XVII century
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Giovanni Paolo Foscarini: Toccata musicale
Ludovico Rocalli: Sonata in Lam
Angelo Michele Bartolotti: Suite in Mim
Giovanni Battista Granata: Allemanda e Passacaglia
Francesco Corbetta: Capriche de Chaconne
Ferdinando Valdambrini: Capona quarta
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El alfabeto de un laberinto
The alphabet of baroque guitar in Gaspar Sanz and Santiago de Murcia codices
Gaspar Sanz: Tarantella, Españoleta, Marizapalos,
Canarios, Paradetas
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Santiago de Murcia: Una Giga de Corelli, Los Imposibles, Jacaras, Fandango, Tarantelas, Folias italianas
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on historical instruments
Cor(d)e d'Italia
5 CENTURIES x 5 GUITARS:
A journey inside the Italian repertoire for solo guitar
16th Century: Renaissance
with a copy of a Renaissance guitar
Anonimo: La Paduana del Re
Adrien Le Roy: Pimontoyse​
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17th Century: Baroque
with a copy of a "A. Stradivari" model guitar
Canario (Carlo Calvi) - Canario (A. Kapsberger) - Canarios (G. Sanz)
​Santiago de Murcia: Una Giga de Corelli
Francesco Corbetta: Caprice de Chaconne​​
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18th/19th Century: Classicism & Romanticism
with an original "Stauffer-Legnani" model guitar
Mauro Giuliani: Grande Ouverture op.61
Luigi Legnani: Capricci op.20
J.K. Mertz: Gondoliera, Tarantella (from "Bardenklange")​​
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20th/21st Centuries: Modern & Contemporary
with a "Hauser" model guitar by Ivan Bruna​
Mario Castelnuovo-Tedesco: Ave Maria, Preghiera (from "Appunti")
No hubo remedio, Nadie se Conoce, Obsequio a el Maestro (from "Caprichos de Goya") ​
Marco De Biasi: Di ruggine e sangue​​
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20th/21st Centuries: Fingerstyle
with a "Martin" model guitar​
Pietro Nobile: Merci Marcel
Giovanni Unterberger: 23-10-63, Railway
Evoking Words
Contemporary and modern pieces inspired by literary texts
Nikita Koshkin: Usher-Valse
Françis Kleynjans: A l’aube du dernier jour (Attente, A l’aube)
A. Garçia Abril: Suite Evocaciones (n.2,3)
Dusan Bogdanovic: Hymn to the Muse
M. Castelnuovo-Tedesco: Caprichos de Goya (n.12 No hubo remedio)
J.K. Mertz: Bardenklange
Present Past
The evocation of a cultural, social and musical past
in 20th century and contemporary Suites
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Alexandre Tansman: Suite in modo polonico
Vicente Asencio: Suite Valenciana
Dusan Bogdanovic: Hymn to the Muse
José Louis Merlin: Suite del recuerdo
Francesco Morittu: S’acabbadòra
Davide Bontempo: La nave di Teseo
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Obsequio a el Maestro
A personal homage to Mario Castelnuovo-Tedesco
From "Appunti op.210"
II. Preghiera (melodia senza accompagnamento)
IV. Canto dei mietitori (sulle terze)
VII. Stornellatrice (sulle seste)
XI. Ave Maria (sulle decime)
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From "Caprichos De Goya op.195"
III. Nadie se Conoce
VI. El Amor y la Muerte
XII. No Hubo Remedio
XX. Obsequio a el Maestro
XXIV. Sueño de la mentira y inconstancia
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Concertos
Antonio Vivaldi: Concerto per liuto e archi in re maggiore RV93
Joaquin Rodrigo: Fantasia para un gentilhombre