top of page
DSC_0082-01.jpeg

RECITALS

on baroque guitar
Passo a Passo 
 
Baroque dances from Italy and Spain to the New World

 

the canarios

Canario (Carlo Calvi) - Canario (A. Kapsberger) - Canarios (G. Sanz)

unfortunate love stories

Los Imposibles, Marizapalos (S. de Murcia)

travels by sea

Una Giga de Corelli, Folias italianas, Fandango (S. de Murcia)

the ciaccona

Capriche de Chaconne (Francesco Corbetta)

Marionas (Francisco Guerau)

the tarantella

Tarantella (Gaspar Sanz), Tarantelas (S. de Murcia)

 

Al quarto tuono
Italian suites and sonatas from XVII century

Giovanni Paolo Foscarini: Toccata musicale

Ludovico Rocalli: Sonata in Lam

Angelo Michele Bartolotti: Suite in Mim

Francesco Corbetta: Capriche de Chaconne

Ferdinando Valdambrini: Capona quarta 

 
El alfabeto de un laberinto 

 

The alphabet of baroque guitar in Gaspar Sanz and Santiago de Murcia codices

 

Gaspar Sanz: Tarantella, Españoleta, Marizapalos, 

Canarios, Paradetas

Santiago de Murcia: Una Giga de Corelli, Los Imposibles, Jacaras, Fandango, Tarantelas, Folias italianas 

 

on historical instruments
Cor(d)e d'Italia
 
5 CENTURIES x 5 GUITARS:
A journey inside the Italian repertoire for solo guitar
 
16th Century: Renaissance
with a copy of a  Renaissance guitar

Anonimo: La Paduana del Re

Adrien Le Roy: Pimontoyse​

17th Century: Baroque
with a copy of a  "A. Stradivari" model guitar

Canario (Carlo Calvi) - Canario (A. Kapsberger) - Canarios (G. Sanz)

​Santiago de Murcia: Una Giga de Corelli

Francesco Corbetta: Caprice de Chaconne​​

18th/19th Century: Classicism & Romanticism
with an original "Stauffer-Legnani" model guitar

Mauro Giuliani: Grande Ouverture op.61
Luigi Legnani: Capricci op.20
J.K. Mertz: Gondoliera, Tarantella (from "Bardenklange")​​

20th/21st Centuries: Modern & Contemporary 
with a "Hauser" model guitar by Ivan Bruna

Mario Castelnuovo-Tedesco: Ave Maria, Preghiera (from "Appunti")

No hubo remedio, Nadie se Conoce, Obsequio a el Maestro (from "Caprichos de Goya") ​

Marco De Biasi: Di ruggine e sangue​​

20th/21st Centuries: Fingerstyle  
with a "Martin" model guitar

Pietro Nobile: Merci Marcel

Giovanni Unterberger: 23-10-63, Railway

on classical guitar
Evoking Words
 
Contemporary and modern pieces inspired by literary texts

 

Nikita Koshkin: Usher-Valse
Françis Kleynjans: A l’aube du dernier jour (Attente, A l’aube)
A. Garçia Abril: Suite Evocaciones (n.2,3)
Dusan Bogdanovic: Hymn to the Muse
M. Castelnuovo-Tedesco: Caprichos de Goya (n.12 No hubo remedio)
J.K. Mertz: Bardenklange

 
 
Present Past 
The evocation of a cultural, social and musical past 
in 20th century and contemporary music

Vicente Asencio: Suite Valenciana
M. Castelnuovo-Tedesco: Appunti (n.2 Preghiera), Caprichos de Goya (n.12 No hubo remedio, n.20 Obsequio a el maestro)
Alexandre Tansman:  Suite in modo polonico, Passacaille
Dusan Bogdanovic: Hymn to the Muse
José Louis Merlin: Suite del recuerdo

Obsequio a el Maestro
 
A personal homage to Mario Castelnuovo-Tedesco 

 

From "Appunti op.210"

II. Preghiera (melodia senza accompagnamento)

IV. Canto dei mietitori (sulle terze)

VII. Stornellatrice (sulle seste)

XI. Ave Maria (sulle decime)

From "Caprichos De Goya op.195"

III. Nadie se Conoce

VI. El Amor y la Muerte

XII. No Hubo Remedio

XX. Obsequio a el Maestro

XXIV. Sueño de la mentira y inconstancia

 

 

Concertos 

 

Antonio Vivaldi: Concerto per liuto e archi in re maggiore RV93
Joaquin Rodrigo: Fantasia para un gentilhombre

bottom of page